Why Do Some People Look Away in Old School Photos?

When browsing through old school photographs, one often notices a peculiar trend: individuals tend to look away from the camera instead of directly into it. This phenomenon is not accidental but a combination of various factors, including technical limitations, social norms, and artistic preferences of the era. In this article, we will explore the reasons behind these unique camera angles in the past.

The Evolution of Formal Posing

The way people are posed in photographs has undergone a significant transformation, especially since the early days of photography. In the late 19th and early 20th centuries, formal posing became an art form, characterized by stiff, rigid positions. This stiff posture was a result of the slow shutter speeds of early cameras, which required long exposure times—sometimes as long as 15 minutes or more. Holding a static pose for such extended periods was challenging, hence the preference for certain angles and expressions.

Technical Limitations and Blur

The long exposure times were a major challenge. Due to the slow speed of early film, blinks, minor head movements, and slight glances away from the camera were difficult to capture. Fast blinks or quick looks to the side would blur and ruin the photograph. Therefore, photographers encouraged their subjects to look away to avoid any unintended movement. Over time, this practice became both a technical necessity and a stylistic choice, leading to a wide range of angles and expressions in old photographs.

Societal Norms and Cultural Prejudices

Aside from technical reasons, there were strong cultural and societal influences that further shaped the way people were photographed in the past. During the Victorian and Edwardian eras, smiling was often associated with certain social classes and statuses. Children, the destitute, or those considered deranged were the ones who most commonly received painted or photographed portraits. This association gradually carried over to photography. In official portraits, especially those of high society and important figures, a stern or neutral expression was preferred to convey power and dignity.

The phenomenon of looking away from the camera can also be attributed to the moodiness of the late Romantic period. During this time, there was an emphasis on dreaminess and introspection, leading to dreamy portraits that often featured individuals lost in thought or gazing into an imagined distance. This style was aesthetically pleasing and aligned with the artistic preferences of the era.

The Rise of Casual Photography

The trend of looking away or directly into the lens gradually changed as photography became more accessible. As cameras and photography techniques advanced, the value of a photograph as an official document or a rare momento began to decrease. The ability to capture spontaneous expressions and moments became more feasible, leading to a shift in photographic styles.

Furthermore, the advent of photo-friendly times in the early 20th century, driven by events like the rise of film and advancements in photography technology, made it easier for people to smile and take casual photographs. The introduction of affordable cameras and the widespread use of film allowed more people to capture candid moments and personal expressions, thus revolutionizing the way photographs were taken and seen.

Conclusion

In conclusion, the unique angles and expressions found in old school photographs reflect a complex interplay of technical, social, and cultural factors. From the challenges of long exposure times to the cultural norms and artistic preferences of the era, these photographs offer a fascinating glimpse into the past and the evolution of photography as an art form. Understanding these factors can help us better appreciate the significance and beauty of old school photos, even as we continue to enjoy the spontaneity and informality of contemporary photography.