The Art of Crafting a Unique Martial Art Style

Creating a unique martial art style is a journey fraught with challenges and innovations. This process requires a deep understanding and respect for the traditional forms that have evolved over centuries. In this article, we will explore the complexity of developing a new martial art style, focusing on the experiences and insights from someone who has crafted their own style.

A Journey Through Multiple Martial Arts

The author of this article embarked on a path that saw them study and practice a multitude of traditional martial arts. This experience began with White Crane Kung Fu and Shao Lin forms, followed by Sheng Yi, or Xing Yi, and Shotokan in the United States. This journey eventually led to Wado Ryu, then to Taiwan where they dived into Praying Mantis style. A glimpse into this mathematical and creative extravagance reveals the breadth of the martial arts landscape.

Universality of Martial Art Principles

The notion that any single style is fundamentally different from another is challenged by the author. By taking a teaching from the head of the All-Taiwan Martial Arts Association, the author learned to appreciate the universal principles underlying various styles. For instance, the front foot stance, which was initially taught in White Crane as toes-in, became a point of contention when the author explored Shotokan. However, upon deeper investigation, both styles acknowledged it as a valid technique, highlighting the subjective nature of initial instruction.

Protective vs. Objective Learning

The author developed a unique approach to learning and teaching martial arts, focusing on preservation and adaptation. This mindset is exemplified through the study of techniques like the knife hand. The author's initial belief in the thumb position for protection proved valuable in unforeseen circumstances, showcasing the importance of detailed and continuous practice.

Anatomical Insights and Adaptations

Through practical experience, the author discovered that certain adaptations in stance and technique can provide unexpected benefits. For instance, the toes-in stance in White Crane led to a protective band of muscle in the hand, which was a valuable realization. This insight led to a broader understanding of the physical mechanics underlying each style and how they can be interrelated.

Practical Applications and Adaptable Techniques

Practice does not only involve physical techniques but also philosophical and situational application. The author's approach to warm-ups and stretching exemplifies this. The seemingly useless stretching exercise in Shotokan taught the author the importance of regular maintenance to prevent long-term harm. Similarly, the contrasting techniques for stopping mid-stride reiterate the need for adaptability and anticipation in martial arts drills.

Conclusion

Creating a unique martial art style is not merely about innovation but about a deep understanding of the foundational principles and their practical applications. It requires both an objective evaluation of one's own limitations and a respect for the accumulated wisdom of countless practitioners. In crafting a new martial art style, one must be aware of the potential overlap with existing teachings and be prepared to adapt and refine their approach.